🔗 New York Times - On 'OK Computer," Radiohead Saw the Future: Ours

Jon Pareles writing for the New York Times...

On ‘OK Computer,’ Radiohead Saw the Future: Ours:

It all came true. Twenty years after Radiohead released “OK Computer,” capitalism’s tech overlords have inexorably cultivated a work force and customer base of wish-they-were-androids. Using algorithms that ruthlessly tabulate every available metric, they are determined to maximize efficiency, and they see no profit in human downtime, imperfection or ideals. On “OK Computer,” Radiohead saw it coming, amid all the other alienation and malaise that its songs would enfold in melody and noise.

This is a great write up celebrating the 20 year anniversary of one of my favorite albums from one of my favorite bands. Radiohead saw where music technology was heading and paved the way for future musicians to blur the line between human and robot.

After 20 years, it’s clear that “OK Computer” was the album on which Radiohead most strongly embraced and, simultaneously, confronted the legacy of the Beatles. Radiohead picked up chord progressions (like the pivotal bit of “Sexy Sadie” in “Karma Police”), instrument sounds and ideas on structure from the band, even as it completely inverted its 1960s optimism.

I have often compared Radiohead’s use of technology in the recording studio to the Beatles’ studio practices in their later albums. It’s nice to see Pareles dig into this comparison a little further. 

You can celebrate this amazing album by checking out their reissue, "OK Computer: OKNOTOK 1997 2017,” which is a remaster of the original CD, includes eight B-sides for EPs they released in the 90’s, and recordings of never before released songs from the “OK Computer" era. 

Click here to listen on Apple Music.

Music Theory Interview: Jacob Collier

Feast your eyes and ears on this awesome music theory interview with Jacob Collier (the 12 minutes go by very fast). Collier talks about microtonal voice leading, negative harmony, and how he uses the circle of fifths to lighten and darken his chord progressions. He demonstrates perfect pitch numerous times by outlining complex extended chords and scales effortlessly. And someone has actually taken the time to notate what he is describing for the viewer to see in real time, along with a piano playing everything that he describes but doesn't sing. It's just incredible. 

Don't know who Jacob Collier is? Jacob Collier is one of those freak of nature musicians who, in his late teens/early twenties, was performing multiple instruments at an insane level, and producing YouTube covers with dense modern jazz vocal harmonies, grooving percussion, .....you know what, I am not going to explain it. Just watch these videos of his:

And you can check him out with Snarky Puppy here. 

 

Oh, and he can perform this stuff live too... 

 

🔗 iOS 11: The MacStories Overview

The best news from WWDC 2017 (in my opinion) was improvements to iOS 11, particularly the iPad productivity features. MacStories has a really good overview of all the primary features that are coming with iOS 11 in the fall. 

iOS 11: The MacStories Overview:

Alongside the storm of iPad-specific features, the next version of iOS will also bring advancements to the Lock screen and Control Center interfaces. Built-in apps and services such as Maps, App Store, Notes, Messages, Podcasts, Music, Siri, and more received individual updates — some more comprehensive than others. The new ARKit and Core ML frameworks were announced as well, giving us our first tangible examples of Apple's investments in AR and developer-friendly machine learning.

Despite a decade in the wild, in many ways iOS is still a young operating system. It's good to see Apple not resting on its laurels, but instead continuing to reevaluate and redesign the areas of the OS that need it — such as iPad productivity features and the App Store. The ground-breaking potential for iPad users in iOS 11 shows just how much that aspect of the system has been neglected, but many of the other changes show how Apple's slow refinements over years are paying off.

Below you'll find a detailed look at what Apple is unabashedly calling "turning iOS up to 11."

 

🔗 Soundtrap Enable Import Export MIDI Music Files

Soundtrap Enable Import Export MIDI Music Files:

The MIDI music technology protocol is used worldwide to enable electronic devices -- computers, cellphones, karaoke machines and more -- to generate sounds. The enhanced MIDI support by Soundtrap furthers the creative process by making the multiple tools used to make music interoperable online. This is part of an effort by Soundtrap to broaden its ecosystem of best-of-breed industry solutions so that musicians and music creators have even more flexibility in their music-making efforts. For example, Soundtrap is now interoperable with digital audio workstations (DAWs) through MIDI File Export so users can send all or part of their composition to other solutions such as GarageBand or Pro Tools.

I experimented with Soundtrap with my general music classes last Spring. I was entirely skeptical about the prospect of running a DAW in a web browser but Soundtrap impressed me. It does a great job handling audio and MIDI files in a way that doesn't feel much slower than using a native app like GarageBand. My students loved the collaborative features and we were all left wanting more.

One of my GarageBand assignments in previous years was a MIDI remix, where I put MIDI files for familiar movie and pop songs in a shared folder and encouraged students to remix them, altering the instrument voices, form, and adding loops to transform the style. The fact that I can actually now do this assignment entirely in a web based application through Soundtrap's MIDI import and export is impressive. And this is not even to mention the fact that Soundtrap can perform import and export between other web-only based applications like Noteflight. Very cool. If you have been thinking about checking out Soundtrap for yourself, or for a classroom, I highly encourage it.

🔗 All 213 Beatles Songs, Ranked from Worst to Best

I love stuff like this 213 Beatles Songs, Ranked (linked below). It would take me forever to actually read all of it, but it is fun to see someone's take on it. Could not agree more that "Day in the Life" is No. 1.

All 213 Beatles Songs, Ranked From Worst to Best:

At Beatles anniversary time, the stories write themselves. “It was 25/30/40 years ago today!” “The act you’ve known for all these years!” “A splendid time was guaranteed for all!” Last week’s 50th anniversary of the U.S. release of Sgt. Pepper’s Lonely Hearts Club Band, the most acclaimed rock album ever and the apogee of the Beatles’ cultural influence in the 1960s, is a time for all those chestnuts and more. But Pepper’s doesn’t make sense if it’s not put in context. And the only way to do that, given the weight of the Beatles’ presence, is to take a look at everything the band put on record over its eight-year recording career.

🔗 iWork Updates Bring Professionally Drawn Artwork, New View Options, and More

iWork Updates Bring Professionally Drawn Artwork, New View Options, and More:

Today Apple released updates for its entire iWork suite across iOS and macOS. Pages, Keynote, and Numbers each received several improvements, some of which are shared and others of which are unique to certain apps.

The most significant update found across all three apps is that over 500 professionally drawn shapes have been added for use. These shapes span a variety of categories, including: Objects, Animals, Nature, Food, Symbols, Education, Places, Activities, Transportation, Arts, People, and Work.

So much to love here. iWork apps have received some hate from die hard Office users over the years but feature updates like this one remind me what I love about Apple apps. They are just so nice. I can see myself using these new shapes, much like I use many of the Keynote templates for my presentations, on a regular basis to make my documents more rich, beautiful, and professional.

🔗 GarageBand on Mac Now Syncs Projects with iOS

Read Cult of Mac's overview of the new GarageBand update for macOS. I think this is essentially adding the feature to the Mac version of GarageBand that Logic added a few months back. I played around with it for a few minutes last night, trying to sync a project between the Mac and iOS version of GarageBand. Unless I am missing something, this workflow runs into all of the same issues as the Logic feature that I wrote about when it was released. The process is not direct as you still have to manually prepare the file for syncing and create a duplicate copy whenever you go from Mac to iOS or iOS to Mac. And I really wish I could edit the audio on my iPad too. My iPad Pro is powerful enough!!!

Quick thoughts on the new 10.5 inch iPad

I walked into an Apple Store over the weekend and had a moment to play with the new 10.5 inch iPad Pros. 

OH MY GOODNESS. The hype is real. These devices are light, gorgeous, and powerful. The 120Hz refresh speed ruined me for all other screens in just the two or three minutes I played around with it. I think Apple has hit the sweet spot in size. I can actually see myself downsizing to this model when I purchase my next iPad. I use the 12.9 for sheet music right now and it is great. I usually end up flipping my iPad in landscape mode and running a score on one half of the screen and a note taking app on the other half during rehearsal. I tried this workflow on the 10.5 and it was actually legible from far away. Maybe I have good eyes. I really miss the hold-ability of the smaller sized iPads for things like reading. I will have some tough decisions to make in a few years when I assume I will have to upgrade my 12.9. Or maybe I should embrace the multi-pad lifestyle and use the larger one for scores and the smaller one for reading. If only forScore would sync a score library over iCloud...

🎙 New podcast episode! - Scanning, with Guest Chris Russell

This week, middle school choral educator, music technology specialist, blogger, and podcaster, Chris Russell, joins the show to talk about using scanning apps in the music classroom.

Click here to listen to ---> DIGITAL ORGANIZATION TIPS FOR MUSIC TEACHERS, CHAPTER 5 - SCANNING, WITH GUEST CHRIS RUSSELL (SEASON 2, EPISODE 5)