First Impressions of StaffPad for iPadOS

Introduction

I remember seeing the introduction of StaffPad for Windows Surface tablets back in 2015. Applications that convert handwriting to music notation were not widespread yet and I was absolutely shocked by the demo videos.

My amazement was immediately followed by frustration when I leaned this was a Windows only product. It was a tough pill to swallow, but I understood. The iPad was (and is) widely held as a superior tablet for consumer and professional use, but iOS did not have proper stylus support at the time. There were only third party options, and none of them leveraged the operating system for the level of accuracy that the Apple Pencil now provides.

When the iPad Pro launched months later, I thought "surely StaffPad will now be possible." Turns out I was right. Though it has taken many years, the StaffPad team has been hard at work, and the product is now available for iOS.

I have been beta testing StaffPad for the past month. I consider myself to be testing it largely from the perspective of a music educator, specifically a middle school band director, which means that I am doing things like...

• Reconstructing missing flute parts from my music library using the original score

• Arranging extra percussion parts for works that are sparse in percussion writing

• Writing short folk melodies to use in our sectional curriculum

...pretty basic stuff. If you want a very balanced and comprehensive review of all the StaffPad features, not just the ones I depended on, I strongly recommend you check out the Scoring Notes review by David MacDonald.

TL;DR: If you want to skip this review, I'll get to the point:

StaffPad is an exceptional tool for music educators. It is elegantly designed, astoundingly intuitive, and makes exactly the right trade-off for what a teacher would and would not need in a pro-level score editor. It is a best-of-class example of what a professional 'iPad-first' app should look like. It legitimizes the platform by being a tool that executes tasks that no other computing device can.

While I believe StaffPad near-perfectly conceived, it's hand writing recognition is a headache to use at times, and it needs to improve a lot in this area for me to consider it rock-solid-dependable. Fortunately, I got better at it as I wrote this review.

Ok, let's get to it.

UPDATE: I spoke at length about my experiences using StaffPad on my pocast. Listen and subscribe below.

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Design and Features

The design of StaffPad is one of the most impressive I have ever seen. It is undeniably professional, but maintains the elegance and simplicity you would expect if you are familiar with Apple’s native iOS apps. It manages not to be overbearing with buttons and knobs, yet none of the tools seem too far away or too many menus deep.

Let's look at the home page.

Everything is beautifully laid out in a way where my eyes naturally gravitate towards the information relevant to me. There isn’t any information on this screen that doesn’t need to be.

Home shows just recent documents, Library shows all of your stuff, templates shows the customary templates you would expect from a score editor, and Collections shows some pre-made StaffPad scores designed to show off the sound library. I appreciate how the Templates page is not bogged down with dozens of rare options like Mariachi Band.

The Store button takes you to a screen where you can buy sound libraries and other extensions. More on that later. Discover takes you to some helpful introduction videos.

I am going to get into note input in a bit. Before that, I want to pontificate the nature of writing notes with a pencil  on a touch surface.

At launch, the iPad made a promise to simplify computing for every person, allowing you to touch directly what you want to do on the screen and removing the abstraction of pointing and clicking, the preferred interface of personal computers for decades.

John Gruber, amongst other Apple commentators, have recently had a lot to say about the original promise of the iPad; about how it has maybe lost its way as it has tried to become more like the Mac, introducing inscrutable multitasking gestures and imitating professional PC software rather than leveraging the strengths of a touch interface. There is a great conversation about it on his podcast, which makes special reference to how revolutionary the original GarageBand app was for iPad.

I mention all of that here because I think StaffPad perfectly fulfills that original iPad promise. Writing notes directly on the screen really is the way to write music, as it removes all abstractions and lets you just touch where you want things to go. It also exists in a category of rare, niche, and professional iPad apps that a) cost real money, and b) could not really exist on a Mac. I already wrote about this a little bit here.

So what features exactly does StaffPad have? If you want an exhaustive list, check out StaffPad's help page. It is very detailed and straightforward.

Though StaffPad’s website has a great introduction video, the help page lists everything StaffPad can do in a concise manner.

If you need specialty engraving features and every editing feature money can buy, you need Dorico or Sibelius (but choose Dorico). If you need a sketch app for music notation, that can make 90% of your score needs come true from the comfort of your couch, StaffPad has you covered.

There are trade-offs. But for my basic purposes, they are just the right trade-offs. For a handwritten sketch app, StaffPad strikes exactly the right balance of what it does and what it doesn't do, especially considering the quality of the resulting scores. There aren't a lot of ways to customize your score's layout, but StaffPad makes really good default choices about how to stylize the final product.

I appreciate that everything StaffPad does is very discoverable and not buried too many layers deep. Most things, you can just write directly on the screen with the pencil (though I had a lot of trouble with articulation, and especially with dynamics). StaffPad attempts to solve the problem of organizing features by using what I call a "double tool bar." I am sure they have a technical name for it. Basically, the tool bar shows one set of tools, and when you tap the upward or downward facing arrow on the upper left corner of the screen, it shows another set of tools.

If I knew the logic behind how StaffPad has organized these tools, I would probably be able to find them better, but because the options are selectable from two sides of the same toolbar, I often get confused which "side" of it I need to be on to get what I want. At least changing it over is only a tap away. 

One side of the tool bar has buttons which contains the following...

Play, pause, forward, backward buttons.

Button to trigger Reader mode.

Button to toggle a metronome.

Options to change the voice (of which there are four).

Button to toggle an annotation mode. This mode allows you to scribble freely on your score and highlight certain sections. This mode is necessary because regular strokes draw notes on the staff by default. I can’t think of any standard notation editor that allows freeform annotations with a stylus since most of them are not designed for a tablet.

A loop tool. This tool is great but buggy. It does what you would expect. It allows you to circle a section of music and then copy, paste, or duplicate it. This is a nice way to solve the problem of there being no keyboard shortcuts for selection, copy, and paste, in the app. Sometimes StaffPad crashes when I use it.

The famous three-dots button. (which in most apps means "more") This button takes you to most of the notations that you cannot write on the staff directly with the Apple Pencil - trills, fermatas, rehearsal markings, etc. This button is so frequently accessed that I kind of wish it showed up on both sides of the tool bar. Furthermore, it would be great to be able to edit the order the options appear, rather than scrolling to the right every time I need a rehearsal marking.

Fenby. - a digital assistant that you can talk to. Fenby is wicked cool. Similar to digital assistants like Siri, however, it works really well only when it works. I got used to telling it to "add strings" or "transpose" the score, but there are other commands listed on the StaffPad website that I could not get to work.

The other side of the tool bar includes buttons for...

Undo and redo buttons. Which, again, are so commonly needed that I wish they showed up on both sides of the tool bar. You can use the new text gestures introduced with iOS 13 to three finger pinch (copy), three finger spread (paste), three finger swipe left (undo) and three finger swipe right (redo). Once you get the hang of these, you really start to fly.

Also, a bonus note (and my favorite take away from Paul Shimmons' StaffPad review): copying a selection of music in StaffPad, and pasting it into another app results in a beautifully formatted score excerpt. It’s nice touches like this that make StaffPad a delight to work with.

Copy and paste using the new three finger gestures in iOS 13 is very natural. 

Button add/remove instruments. This screen is super elegant and I love it.

Automation layer. You can actually draw your automations right onto each stave with the pencil. It is too bad this is a feature I will not use that much, because the implementation is really slick. I hope that all iOS DAWS consider adding Apple Pencil support for automation layers.

Button to toggle transposing vs. non transposing score.

Playback buttons. Again, these are on both sides of the toolbar but I use them far less often than some of the other options.

Button to access version history.

Share button. The share menu is ridiculously elegant and straightforward. It has all of the export options you would want, and appears very clean. My only complaint is that it does not work the way standard iOS share buttons work where once you share something, the share menu is no longer active. In StaffPad, it is more of a "mode" that you enter in to. I don't prefer this, but it is also not the end of the world. 

Home button to go to the main screen.

Settings button. This screen is really straightforward and easy on the eyes. This is the one case where I do wish StaffPad would add more options. The screen is designed nicely enough that I would not mind scrolling downward for more options.

For example, I would like to be able to customize the tool bar or choose for the Apple Pencil's double tap gesture to do something other than initiate a lasso select.

Fenby. I do not think this feature is useful enough to put on both tool bars.

Note input

Ok so here’s where the rubber meets the road. StaffPad only accepts note input through the Apple Pencil. I have written about this elsewhere. I would love for StaffPad, like Notion, to have a Mac counterpart. But it’s not designed that way. Because Windows operates on a tablet, Surface users of StaffPad do not need to distinguish between tablet and PC operating systems. StaffPad runs on Windows, period. macOS is a different operating system than iPadOS, so there is no way I can run StaffPad on my Mac.

Interestingly, the main PC score apps, Dorico, Sibelius, and Finale, have made no attempts at an iPad app. I find that we are in this weird fragmented stage with Apple software where nearly any productivity app (I am thinking iWork, the Omni apps, even now Photoshop) can run on any Apple platform and even sync your work between devices, meanwhile niche pro apps still tend to exist on only one platform (Pro Tools/Ableton on the Mac and forScore/StaffPad for the iPad for example). These niche pro apps take unique advantage of platform conventions (the ability to work with complex audio streams in the case of DAWS on the Mac, and the Apple Pencil in the case of iPad).

Maybe its for the best. But I can’t help but feel like StaffPad would be superior if I could snap my iPad into the Smart Keyboard Folio and enter notes from there, or boot up a Mac version and enter notes with a MIDI keyboard..

Because I can’t do that, it is imperative that StaffPad’s handwriting recognition is air tight.

Simply put: it doesn’t register for me all the time. While I am getting better at it after a month of practice, it has a way to go. Sometimes I write really messy and get surprisingly great results on first pass. Other times, I write as slowly and neatly as I can and StaffPad doesn’t convert the notation.

Fortunately, StaffPad’s rules for notation conversion are very thoughtfully considered. Unlike Notion, notes do not convert until I tap somewhere outside the current measure I am composing. This means I can stop and think as long as I want before moving on. StaffPad also leaves anything that it doesn’t recognize in my own handwriting while converting the rest. This means I do not have to worry about an ambiguous pencil stroke being converted into StaffPad’s best guess, and I can go back and fix it later. Speaking of fixing things later, there isn’t a need to be too careful, because notes that end up a line or a space to high or low can be held with the pencil tip and dragged wherever you want on the staff.

This video shows off the design, features, and note input of StaffPad in action. 

StaffPad’s design ingenuity continues to shines in the details. You are allowed to write whatever you want in a bar, regardless of if it fits in the time signature or not. StaffPad also allows you to drag the bar line to the right with the pencil if you run out of room. These considerations work well for my brain, because there is less cognitive overhead. I feel like I am writing with a pencil and paper, not a computer.

Still, there are times that I  have to try numerous attempts before achieving success. The StaffPad support team recommended that I do notes in one pass, articulations in another, and dynamics in yet another, until I gain confidence with the system. They also recommended that I try to write the notes at approximately the size they will appear once converted. This advise helped but I am still making more mistakes than I would like.

My wife is a professional artist. She uses the iPad Pro to do illustrations and design mock ups. In other words, she has way better control of a pencil than I do. I asked her to spend some time writing various different musical symbols, at varying speeds and sizes. She, too, was perplexed at which of her pencil strokes worked and which ones didn’t.

StaffPad’s help documentation (again, excellent) makes it look really easy. The examples of handwriting are really loose. As a percussionist who detests how other score programs handle drum set notation, I would love to be able to write drum parts as easily as the support documentation illustrates. No matter how hard I try to imitate it, I am getting inconsistent results enough so that I am reluctant to try these features again in the future.

While I am reflecting on note input, I need to acknowledge that StaffPad has, by far, the best implementation of erasing that I have ever seen for the Apple Pencil. There is no double-tap, or need to tap a button on screen to turn on the eraser. You simple press harder! It takes a little getting used to, and it is easy to press too hard when attempting to compose and erasing by mistake. But overall, I wish all apps would adopt this style. It is truly a dream.

Hard press to erase in @StaffPad is by far the best implementation of erasing with Apple Pencil I have seen in any app. It is even more seamless than if the Apple Pencil added an eraser to the other side. I’m seriously ruined for eraser tools in all other software. pic.twitter.com/fTJxDpsgVB

— Robby Burns (@robbyburns) February 13, 2020

Most of my testing for StaffPad included preparing for my recent band concerts. My Concert Band has 10 percussionists and some of my music had only three or four parts. I also have some flutes in my Jazz Band this year, and planned some repertoire that does not have original flute parts. Arranging these additional parts took place while I was on leave for the birth of my first child and was awaiting a return to school, where I would have only two weeks to prepare this concert before the performance date.

Headaches aside, the lightness and simplicity of StaffPad’s design, mixed with its direct note input, made this an indispensable tool for me in the past month. Projects that would have had more overhead using a heftier score editor like Dorico were a breeze using StaffPad and iOS. The iPad’s portability made it easy to sneak little additions to my work into busy days of carrying, holding, and feeding a newborn in one arm while sitting on the couch in my living room rather than at a desk.

Between pencil input and the tool bars mentioned above, there are a handful of features that are hidden beneath contextual menus that are achieved by long pressing on various places in the score. Long pressing in a measure allowed you to change the time or key signature. Long pressing on bar lines allows you to change their style or add measures to the music, add lyrics, text, or chords. These menus are very tastefully done, and as I have already mentioned, they have just enough features that they are confusing to dig through, but just enough that I was never wondering where something was. The lyrics and chords options are not as in depth as other score applications, but they were just right for my needs.

iOS-ness

There are features available to third party apps that I believe should be in every app. I was disappointed that StaffPad did not follow a few of these conventions.

Specifically, I wish StaffPad supported Split View. iPad apps can now share half the screen with another app. StaffPad only works in full screen.

This was frustrating for me, particularly in my arranging project mentioned earlier. I wanted to be able to open forScore on one half of the screen for a reference of the full score, and then compose in StaffPad on the other half of the screen. StaffPad customer support informs me that they experienced weird multi-touch results when StaffPad was on half of the screen and that it doesn’t work. But I would still like to see it happen.

You can use other apps in slide over view, which is where you drag an iPhone-sized version of an app over top a full screen app for quick reference. You can see if the screenshot below that this is really too small to be tenable for score reference.

Referencing a score is awkward because StaffPad doesn’t support the iPad’s splitview feature.

Playback 

Spitfire and cinesamples audio libraries, amongst others, are available as inn-app purchases. They sound fantastic! Given how seamlessly they work with StaffPad, it is astounding how easy it is to get good sounding playback. If only using advanced audio plugins with score apps was this easy on macOS and Windows.

That said, I am extremely hesitant about buying these plugins. These samples, once purchased, only work with StaffPad on iOS and cannot be used with any other program like they can be if you purchase the PC versions of these plugins directly from the companies that engineer them.

Conclusion

StaffPad is a unique composing application that leverages everything unique about the iPad to provide what I anticipate will be an indispensable tool for my work as a music educator. While the handwriting recognition doesn’t always work as I expect, it gets better with each update and also as I practice it.

StaffPad is elegantly designed and makes trade-offs that position it as perhaps the most natural score editor I have ever worked with. I am so glad that this app exists both as a tool for my professional work, and as a statement about what the iPad can be. I would recommend it to anyone who is looking for a score app that balances power and ease as long as they acknowledge that there is a learning curve and a price.

Want other opinions? Check out these reviews:

Scoring Notes: StaffPad wows with long-awaited iPad release and new free StaffPad Reader

Technology in Music Ed | Chris Russell: Working with StaffPad

iPadmusiced | Paul Shimmons: A Revolution and Turning of the Tide - Music Creation is Changing for the Better With StaffPad for iOS!

StaffPad Comes to iPadOS (Reflections on App Store Pricing and Touch Screen Operating Systems)

Five years ago, StaffPad came to Windows Surface tablets. StaffPad is a professional music notation application that turns handwritten notes into beautiful music notation. It is built around the stylus being the primary input, and because the iPad did not have stylus support at launch, StaffPad remained Windows only.

Multiple years into Apple supporting its own official stylus, the Apple Pencil, StaffPad is finally here on iPad!

StaffPad’s intro video sells itself, so I am not going to write much about the app here. Instead, I point you to…

StaffPad’s Introductory Blog Post

Download Link to the App Store

Scoring Notes Review - a must read if you are interested

Since the features of StaffPad are covered in the links above, I want to comment on two interesting aspects of this release.

First, the price. At $89.99, this is no impulse purchase. I find it refreshing to see a professionally priced app like this on the App Store. For years, the App Store has seen a race to the bottom type approach for grabbing sales. Users are so used to <5 dollar apps that the idea of paying for software has diminished from reality.

Increasingly, developers are finding that subscription based pricing is the only way to maintain software and put food on the table. There was a big discussion about this in the Apple community last week when beloved calendar application Fantastical released their version 3 and went to subscription pricing. As is customary when an app goes to subscription pricing, users of the application and bystanders alike were enraged at the idea of a calendar costing four dollars a month.

I couldn’t resist sneaking my love of Fantastical into this post. The interface is beautiful.

And the natural language input is one of many essential features that helps me get my work done more efficiently.

As a user of Fantastical, I was happy to keep supporting development. It is one of my most used applications on a daily basis and its features are essential to me having a full time teaching job, while also scheduling gigs, 25 private students, speaking engagements, and all of my other personal events.

Fantastical is what I would call a prosumer application. It offers more power to someone looking for an advanced and well designed calendar, and it has a wide appeal (everyone needs a calendar!). Four dollars a month is steep, but manageable. Now that the price is reoccurring, I do think it will appeal to a smaller audience, as each user will have to reevaluate on a monthly or yearly basis whether or not this application is continuing to be worth the cost.

StaffPad is very different. It is a professional creation tool. Much like Photoshop is essential to designers and photographers, score editors are essential to the lives of most musicians, composers, and music educators. By charging 89 dollars, StaffPad follows a long history of apps in its field, which are often priced between 200 and 600 dollars.

I have to wonder… if the iPad had more software like this, and from an earlier point in time, would users have adjusted their expectations and would more expensive professional apps be more viable? And if so, would the viability of such professional apps lead to more (and better) professional apps on iOS?

And furthermore, would Apple adjust to these trends? Apple still offers no free trial for apps (something that will definitely deter a lot of my music teaching colleagues away from giving StaffPad a chance). Not to mention that professional creative software has a tradition of volume licensing and educator discounts. Educators who would normally be able to afford a program like this for themselves or their class are going to be stuck if they are looking for the same options with StaffPad.

App developers get around to this in number of ways, an example of which is to offer a free app where you have to buy it as an in-app purchase after a week. Of course there is also the subscription model. I am glad StaffPad went with a more traditional model than a subscription because it fits within the tradition of how its class of software is priced. And my hope is that this just might convince more developers to bring their own apps to iPadOS.

Which brings me to my second point…

StaffPad doesn’t, and probably wont, have a macOS app. It is built entirely around stylus input. This is why it could only exist on Windows Surface tablets at first. I am thrilled it is on iPad, but this presents an interesting question for users of Apple products.

A Windows Surface user notices no distinction between whether or not StaffPad operates on a touch-based OS or a traditional point-and-click OS, because they are one and the same. Even as macOS and iPadOS move closer and closer together, this distinction has lead them to be products with very different potentials.

On the other end, all the other players in the score-editor field (Sibelius, Finale, Dorico) remain “desktop” applications that run on traditional point-and-click operating systems. With the power of the current iPad Pro, there is no reason these applications couldn’t exist on iOS, other than that developing for iOS is very different. None of these developers have shown any signs of bringing their programs to iPadOS any time soon, and I would suspect StaffPad has no plans for a Mac version.

I admire how Apple has held their ground about the iPad being the iPad and the Mac being the Mac. It has made both platforms stronger. But as the iPad becomes a more viable machine for getting work done, Apple has got to get a plan for how to solve this essential “input” question.

Planning Band Rehearsals with MindNode, A Mind Mapping App for macOS and iOS

I am starting my third week of paternity leave tomorrow. And while I am doing my best to ignore work at all costs, I am also reminded that when I return I will have three weeks with my students to work on their band assessment music. My long term sub (who is incredible) will have been working on it with them for three weeks by the time I return. Naturally, there is still a lot I want to accomplish with it on my own time.

To that end, I decided to get organized. When I organize large projects, I like to create a mind map.

In my brain, there are a lot of ways I want to keep kids engaged with our current repertoire. I have score study and lesson planning tasks, music and videos I want to inspire them with, strategies for rehearsal, alongside stories and verbal illustrations to communicate abstract tonal and phrasing ideas. I also have some behavioral concerns that need to get locked down so that our focus is at 100 percent. Personally, I don’t know any way to dump out these interconnected ideas and see how they fit together without a map.

MindNode is a mind mapping application for iOS and macOS that lets you easily dump ideas quickly into a beautifully structured map. A MindNode document starts with a single bubble in the middle of the screen from which you can create “nodes,” or branches, off from the middle. It is possible to create a vast tree of hierarchical concepts, topics, and ideas, without even taking your hands off the keyboard, much like typing a quick bullet point list into a note.

The nodes can later be dragged around freely anywhere on the map. When you move one branch, all of the others adjust around it dynamically, ensuring that your map is balanced.

Dragging a node adjusts the map.

MindNode has a ton of features that are beyond the scope of this post. You can add notes, images, and tasks to nodes, which you can see I have done in the map above. You can apply various different themes to the way the nodes look, or even customize your own theme. You can also view your map as a linear outline. The new version, MindNode 7 has even just added a visual tagging feature to help you better organize your nodes. You can read about that here.

MindNode is full of tools to conceptualize your map and format it so that it looks great.

One of my favorite new features is the Apple Pencil support. When you screenshot a mind map you can choose to annotate it like a normal screenshot or you can select 'Full Page' and MindNode will fit the entire document into view and cut out all of the user interface elements like menus and buttons. This way, you can mark up a clean copy of the file which you can then export as a PDF to an app of your choice.

This is what annotating a normal screenshot looks like.

MindNode uses Apple's PencilKit API to strip away buttons and menus, leaving you with a clean document to annotate.

MindNode's export tools are amazing. In the next screenshot, you can see all of the options. You can export the document itself as an image, PDF, or outline, just to name a few choices. But what I love is the option to export the nodes to the task manager OmniFocus or Things as a project.

Next, you can see a screenshot of Apple Notes with an exported MindNode PDF (left) alongside todo app Things (right). MindNode has neatly formatted my map as a project in Things with headings and checkable todos that I can later give due dates and deadlines too. Awesome!

In that screenshot, notice another PDF beneath my MindNode document. It is another PDF I exported. It is a score map of Greenwillow Portrait by Mark Williams which I am performing with one of the bands.

One of my goals for the quarter is to spend more time in the score. I like to occasionally study a score starting with the big picture and later moving to finer details. To help establish this big picture, I will occationally make a map that serves as a rough guide to a piece. One of my problems with drawing maps is running out of screen space on any of the four ends of the iPad. To solve this, I used Concepts, an open canvas drawing app.

It's full of features, but I am most attracted to the style of the pen tools and its ability to keep drawing in any direction, without being limited by the four walls of the iPad's screen. The document just keeps adding room to whichever side I keep drawing on. It's worth checking out if you have a need for this kind of drawing tool.

When I started this document, I ran out of room on the side of the screen at measure 19. All I needed to do to solve that problem is zoom out and keep drawing.

Happy winter and good luck preparing for your spring assessments if you are taking a performing group to one!

My Favorite Music and Apps of 2019

Things have been quiet on the blog lately. My wife and I bought a new house in late October and are expecting our first child any day now. Once I can find some time again, I have some very exciting work I am looking forward to here.

In the meantime I wanted to squeeze in a few annual posts I usually do around this time. I have had plenty of time to reflect this year, just not as much time to write. So my descriptions will be more brief, if not absent. I always find it easier to write about technology because of the matter of fact way I can describe what it does.

Favorite Albums of 2019

Johann Sebastian Bach - Víkingur Ólafsson

The Other Side of Air - Myra Melford's Snowy Egret

Origami Harvest - Ambrose Akinmusire

Vibras - J Balvin

re:member - Ólafur Arnalds

Finding Gabriel - Brad Mehldau

BEAT MUSIC! BEAT MUSIC! BEAT MUSIC! - Mark Guilana

The Fearless Flyers II - EP

Motivational Music for the Syncopated Soul - Cory Wong

Favorite Live Shows

Ghost Note at Creative Alliance - When you take the percussionists from Snarky Puppy, Mono Neon on bass, and other members of the backup band for Prince, you get unbelievably funky.

Nickel Creek/Punch Brothers at Carnegie Hall - Beautiful hall to see two of my all time favorite bands performing together for the first time.

Louis Cole at U Street Music Hall - Just Louis Cole, a MIDI keyboard, drum set, and Logic Pro. It was fun in such an intimate venue to see how he uses Logic to handle all of his arrangement tracks. His keyboard playing was FUNKY and his drumming was technically impressive.

Favorite Apps

Home and home apps - I would consider my current favorite hobby to be automating my home. When we moved to the new house this year, I added some of the following stuff to my home automation setup: smart dimmers for the lights, baseboard thermostats, floodlight cameras, garage door openers, diffusers, smoke detectors, and more. The Apple Home app is my master control center for all of these devices, but I also really like Home+ 4 as it offers a superior and more customizable interface in some respects.

I also love HomeRun for customizing my Apple Watch watch face so that it always knows which scenes I want to run at my house based on time of day.

Peleton - I didn't think this service could be worth the hype but I am really buying in. We have a little bit of space in the new house to lay out some yoga gear and do some body weight working out. We are undecided on the bike so far, but the Peloton app is full of classes for strength, meditation, yoga, functional training, running, biking, and more!

There are always new classes, many are live, and they are highly specific. I can filter 5, 10, 15, and 20 minute classes when I only have a little bit of time. There are restorative yoga classes and body weight strength classes that just need a mat. Best of all, the iPhone app can send to my Apple TV and Apple Watch simultaneously so I can watch the instructor on the big screen and track my heart rate on the watch.

FileMaker - I live by this app. I only know the scripting well enough to program my own keyboard shortcuts. But for tracking students, musical repertoire, assignments, and everything else, this is the power app solution for every problem.

AnyTune Pro+ - This iOS and Mac app has finally replaced Transcribe! for me in most cases. It has great Music app integration, native keyboard shortcuts, and a rich user interface. I love using Downie to take YouTube videos from the internet and then slow them down in AnyTune so that my band students and private percussion students can practice to a superior performance at a reasonable speed.

Timery - This is a super impressive and scriptable time tracking app for iOS that has a great widget and Siri Shortcuts support.

Reeder 4 - Reeder is still the app my thumb reaches for first when I have some free time. I love reading my RSS subscriptions in its clean user interface. Now that it has Instapaper support, I don't need to leave the app to catch up on my read later list.

Cardhop for iOS - This is the contacts app replacement you NEED to install on your iOS devices. It takes the frustration out of adding to and updating your contacts. You must see it to believe it.

IDAGIO - This subscription app and service takes the metadata problem out of classical music by properly tagging composer, arranger, soloist, orchestra, and performer information and allowing it to be filtered. You can filter by year, ensemble, composer, conductor, and even soloist.

GoodNotes for Mac - One of my most used iPad apps is now on the Mac. The Mac version uses Apple's Catalyst technology which allows developers to port iPad apps to the Mac. For this reason it exhibits some weird behaviors. But I don't need to spend tons of time working in it as much as I just need to be able to view my synced documents from a Mac. I use the iPad version to annotate my band seating charts. I write down things about posture, behavior, participation, and then compare it against a weekly rehearsal rubric at the end of every week.

It is a lot easier to input grades into our district's LMS, Canvas, on Mac, so it is helpful to now be able to see my annotated charts on macOS, rather than having my iPad and my Mac open side by side.

Which music and apps were most compelling to you in 2019?

Things might be quiet here for a while longer. In early 2020, I look forward to getting cozier in my new home, and learning what it feels like to be a father. I wish you a great year of music making, with all the best technology tools by your side. Happy New Year!

NPR Best Albums 2019 - Apple Music and Spotify Playlists

Things have been quiet on the blog lately. My wife and I bought a new house in late October and are expecting our first child any day now. Once I can find some time again, I have some very exciting work I am looking forward to here.

In the meantime I wanted to squeeze in a few annual posts I usually do around this time.

NPR Music Best Albums of 2019

I love compiling this list every year. I usually publish it earlier, and have a lot more to say about it. I will be shorter this year.

NPR Music Best Albums of 2019 - Apple Music

NPR Music Best Albums of 2019 - Spotify (I did not compile this one)

So far, my favorites off the list include IGOR, Diatom Ribbons, and Caroline Shaw: Orange (which I already knew).

Off last year's list my favorites have turned out to be Johann Sebastian Bach, The Other Side of Air, Origami Harvest, Vibras, re:member, soli, Heaven and Earth, and Dirty Computer.

I hope these albums help your spring forward into the new year with some new tunes! Happy Holidays!

Indexing Real Books in forScore (Christmas Edition!)

Those of you who follow my blog may have seen my YouTube tutorial and blog post demonstrating how to index long PDF files in the forScore app on iPad.

I realized earlier this week that I had never moved my Christmas fake books to my iPad and figured it was worth a start. In the past, I found pre-existing CSV indexes from the user forums but today I manually added the song titles inside of the forScore app. Fortunately there is a new (?) button inside of the bookmarks menu called Index that offers to look for a table of contents inside of your pdf and guess some of the song titles and pages numbers for you. This worked well! I had to go in and fix a few things but overall it was a good start.

Of course, I want to practice over the changes of these songs so I pulled up my favorite jazz practice workflow on iPad — sliding iReal Pro into split view — so I could see the chords and play along to practice tracks. Turns out someone on the iReal Pro user forums has made play-alongs for most of the Christmas Real Book that you can download into your library. Here is the link.

Happy Holidays and enjoy!

The automatic Index button in action.

Songs are now searchable by title!

Running forScore and iReal Pro side by side in split view.

App of the Week: PDF Expert 7

Readdle Launches PDF Expert 7, Free Update for iPhone & iPad

Today we are incredibly excited to launch PDF Expert 7 — our vision of what the ultimate PDF experience for every iPhone and iPad should be.

This week’s update to PDF Expert secures it as my favorite PDF app on iOS. The one and only problem I have been having with it for the past year or two was its lack of integration with the iOS document browser, which shows you the same interface as the Files app when selecting which PDF you want to work with. I wrote about this last week with reference to the OmniGroup’s apps getting support for the native file browser this fall.

Accessing the the document browser is a tap away at all times. A ‘recent documents’ option is also one tap away. This is helpful because PDF Expert does a great job of integrating different options for managing your PDFs. It has Dropbox and Google Drive support. It also allows you to store PDFs locally within the app. This is useful for me when I am creating new PDFs or temporarily making copies of them for the purpose of editing the order of pages, the text of my documents, etc...

The PDF Expert 7 interface. ‘My Files’ are locally stored documents which do not sync to iCloud. They can be viewed in the Files app through the PDF Expert file provider.

I like my ‘one true’ copies of my documents to live in iCloud. I will often take a scan of a stack of concert band parts, drag it into PDF Expert, extract the individual pages into separate parts (Flute 1, Flute 2, etc.), and then save these parts back to iCloud. I don’t want any of the extra files generated during this process cluttering up my documents folder, so its nice to have a quarantined area of PDF Expert where they can live.

The old PDF Expert interface.

The PDF Expert file provider, accessed through the Files app.

These local files can also be accessed from the native Files app as PDF Expert is a file provider.

Furthermore, PDF Expert gets its own iCloud folder where you can store documents by default. This is becoming less necessary because of how easy it is to access the Files interface, regardless of where your PDFs are stored.

As mentioned above, the ‘recents’ option makes it more streamlined to find what you want, no matter which of these methods you have used to store documents.

I am focusing a lot on the file workflow here because PDF Expert 6 already had the best feature set of any PDF app I have used on iOS. A clean interface, great editing tools, the ability to edit the text and images of a PDF (for real!) and more. These features are now all free. PDF Expert 7 introduces some pro features that come at the cost of 50 dollars a year. Some of these features include converting to PDF from Word or Excel files, and the option to customize the look and feel of the editing tools at the top of the screen. I am glad PDF Expert chose these features to put in the paid tier. It is just enough that it will be worth it for some users, but all of the good stuff is still in the free version.

I will probably try the one week free trial but will most likely stick with the free version.

These PDFs are stored inside of iCloud Drive, inside a folder called PDF Expert. Though this is becoming less necessary now that the Files app is integrated more directly into the app.

The new PDF Expert interface puts the iOS document browser. In this screenshot, I can directly access PDFs that are stored in my musical Scores folder, which is in my iCloud Drive.

Integrating Luna Display Into the Classroom

My wife gave me a Luna Display for my birthday and I have been really impressed with it so far. Luna is a USB-C dongle that plugs into a Mac. Using the companion app on iPad, you can access the entirety of macOS, wirelessly. 

I cannot wait to use this device this coming school year. I teach in about five different classrooms which makes transporting my Mac cumbersome. It is heavy, always running out of battery, and is missing some of my iOS music apps like forScore and Tonal Energy. The light form factor of my iPad Pro is perfect for toting around the building in one hand.

There are a few problems with this. I am still faster on macOS for one. And more importantly, there is software on the Mac that I cannot take full advantage of on the iPad. I depend heavily on FileMaker for a tracking student data, assessments, and assignments. I have discussed that workflow on two episodes of The Class Nerd podcast. This episode on tracking student data and this episode, which is a bit miscellaneous. For whatever reason, keyboard input on certain parts of the user interface is slow on FileMaker Go, the iOS version of the app. Even though I can do 90 percent of the things I need to with my database on iOS, the typing speed slows me down.

Luna Display puts macOS right on the screen of my iPad.

It is for reasons like this that I am thrilled to use Luna Display in school next year. The experience of using the app is so smooth that at times I forget I am not using my Mac. Are there issues? Tons. But I stop to wonder every now and then why it is again that macOS can’t work with touch.

I also use a score editing app called Dorico on my Mac. Not as often as FileMaker, but enough that it is sorely missed on iOS. I have not tried to operate this application on the Luna Display but in full screen mode I suspect it isn’t so bad. Once I give it a shot I will report back.

Making Just Intonation Play Along Tracks for Your Performing Ensemble (Using Tonal Energy and GarageBand)

There are a few things that would be helpful to know about my music teaching philosophy before reading this post.

1. I believe that tone production, intonation, balance and blend are central to teaching performing musicians. I prioritize them much higher than fingering technique, rhythmic precision, and even reading comprehension.

2. The way I structure my band classes starts with, is focused on, and always revisits those core ideas.

3. I have accumulated a vast variety of tools and teaching strategies to meet my goals of having superior tone quality, intonation, balance and blend. One of the most essential tools I use is the Tonal Energy Tuning app.

Tonal Energy Tuner

What is Tonal Energy? A hyper charged, power-user app for musicians that has many advanced features, including...

- Tuning drones that can be triggered polyphonically

- Feedback as to how in tune a performer is, which includes a delightful happy face to depict good or questionable intonation

- Drones and feedback can be adjusted to different temperaments

- A metronome (with more features than nearly any alternative on the App Store) that can be used separately or at the same time as the tuning drones

- Analysis tools that depict amplitude and intonation on an easy to read visual graph 

- Recording and play back practice tools for musicians to listen back to their performance

- Automated metronome pre-sets that can be sequenced 

See the video below. I will first depict the tuner playing a Bb drone, then I will show how it can model a Bb major triad all at once. Then I will turn the tuner to just intonation mode, and you will hear that the third and fifth of the chord are appropriately adjusted so that they are in tune with the Bb root. Next, the video will demonstrate how the metronome can be used in combination with these drones.

Imagine now that a student is playing a scale along with Tonal Energy. By leaving the tuner in just intonation, and centering around the key area of Bb major, every note of the scale that I touch will resonate accurately with the Bb, giving the student an accurate reference to blend into.

Developing An Inner Ear for Diatonic Intervals

Much of music is made up of scales. For a student to learn how to most accurately tune different intervals and chords, I have the drone running in the background during most of my teaching in whatever key area we are working in. I then move my finger to the correct notes of the melody to model and reinforce what good intonation would sound like. See below for an excerpt of a song my beginning students might play.

In the video below, watch as I play this song by dragging my finger along to the melody. This happens with a metronome to reinforce the beat. I like that TE has the option to speak counts out loud. In my experience, this really reinforces a concept of strong beats, weak beats, where in the measure the performer is. Other tuning apps have the counting feature as an option, but the sounds in TE sound more natural and less computerized.

Making Play Along Tracks in GarageBand

As you can imagine, I am doing a lot of dragging my finger along while students play for me. This gets tedious. I also want my students to be able to hear these pitch relationships when they practice, so I have begun recording them into play along tracks. How do I do this?

Inter-App Audio Apps and Audio Extensions in GarageBand

In the iOS GarageBand app, audio input is usually performed using either software instruments or by recording audio directly into the device with the microphone. But what you might not know is that you can also create a track that is based on the audio output of a third party audio app. If you have ever used a DAW, think of Inter-App Audio Apps and Audio Extensions like plugins. Once launched, you are kicked into a third party interface (much like using a reverb plugin from Waves or a synthesizer from Native Instruments) which then adds to or alters the sound of your overall project. In a more recent GarageBand update, Apple categorizes Inter-App Audio and Audio Extensions under the External option when you create a new track. 

Audio Extensions are effects that alter your tracks like reverbs and EQs, while Inter-App Audio captures the audio of a third party app and records it into its own track in GarageBand. You can browse the App-Store for Audio Extensions that work with GarageBand. 

Recording an Inter-App Audio App Directly Into A GarageBand Project

Watch in the video below as I set up an Inter-App Audio App track with Tonal Energy. What I am going to do next is press record, and record my justly in tune play along of Lightly Row into my GarageBand project. I will do this using the euphonium sound. The euphonium drone is one of the roundest, darkest, and fullest sounds, while also containing a great range, so it is effective for most instruments to play along to while also modeling a rich, full, resonant sound.

Accurate Note Input with MIDI Controllers

In this video, you can really hear how sloppy the transition from one pitch to the next is when I drag my finger. Notice also that I did not play repeat notes. It is difficult to play the same pitch twice in a row without Tonal Energy changing itself to that key area. One way around these challenges this is to set up a portable MIDI keyboard with Tonal Energy. The one I have settled in is the CME X-Key with Bluetooth.

It has a sleek look, is very small, and has low key travel. It has buttons for pitch shifting and octave jumping. And Tonal Energy adapts to it in just intonation mode! Watch in the video below. As I change which chord I am playing, TE automatically snaps the third and fifth of each triad in tune, relative to the root. For my Lightly Row performance, I can now hold a Bb drone on in one hand, while playing a melody in the other.

Embellishing The Track with Other Instruments

The resulting play along track is alone pretty useful for students. Let’s make it more fun by adding a drum track.

We can make it even more fun by embellishing with bass and other instruments. I like to change up the style of these play alongs. Sometimes I don't even pre-record them, I just improvise along with my students to keep things fresh. Be careful though. These software instruments are NOT justly in tune, so too many of them can defeat the purpose. I try to combat this by having the drone be the loudest thing in the mix. Notice in this recording I have tried not to create any motion in the accompaniment that interferes with the consonant intervals in the melody, so that the listeners ears can remain focused on the drone for their reference.

Conclusion

Well, that's it! I can trigger these in rehearsal, sectional, and even share them with my students for home practice. Regular practice with tuning drones has really turned around my band's sound, and gives students the foundations for long term ear skills that will help them to HEAR what is in tune, not just respond to the commands “you're sharp!” and “you’re flat!”

Spending Time with iPadOS 13

I have been running the beta of iPadOS 13 for almost a month now. iPadOS 13 ships this fall and is the first version of iOS that Apple is branding iPadOS because of its focus on features unique to the iPad. At first you might think this to mean that Apple is adding ‘desktop’ features to the iPad, but the more I think about it, the more I realize that the iPad is in many respects growing into a platform with its own unique set of strengths. Here are my favorite features so far.

New Home Sceen!

The first thing I really love is the new home screen. You can fit way more apps on it now, and they stay oriented the same way in both landscape and portrait because it is a 6x5 grid in either orientation. This wastes way less space on the screen and allows you to cram a lot more apps into a smaller space for extra productivity!

Also useful is that you can pin your widgets to the left of your apps. I can now see my OmniFocus tasks, upcoming calendar events, recently accessed Files, and notes, every time I return to the home screen. For OmniFocus, I have it showing my Priority perspective, which shows all due items, soon to be due items, and flagged items that are tagged ‘Today.’ This is one more tool to help make sure I don’t let stuff slip through the cracks. The same could be said of the Calendar widget. Having the Files app display recently opened files on the home screen sure does feel a lot like being able to treat the home screen the same way I do my Desktop on the Mac.

desktop safari

The thing that is surprising me the most is how much the new Safari update transforms the way I use my iPad. Safari now runs like the desktop version. This means that websites operate as you would expect them to on the Mac. No more taking out your MacBook for those few websites that just never quite worked right on iOS. For me this is going to change the way I use a lot of my school district’s mandated learning management software, which would often not work correctly, or as reliably, on my iPad.

But what is really great is that I can now access the full versions of Google Docs and Squarespace from my iPad. Google’s apps on the App Store are still a little nicer, but they have never had the full feature set of the web apps, and now this is nearly a non-issue. Apple and Google need to find out some way to better let users choose if a document opens in Safari or Google Docs/Sheets/Slides, but I expect that to be eventually ironed out.

Even more exciting is that I can finally use the full toolset of Squarespace to update my website on the iPad (just one of the few things that would keep me taking my Mac out of my bag). So far, Apple has already done a nice job with these features, and they are not even ready for public release yet. There are some issues and unexpected behaviors, but not nearly as much as I expected. Desktop Safari has turned out to be the biggest productivity boost of all the new features. And did I mention there is now a download manager!?

multitasking and pencilkit

There are also some improvements to multitasking. Notice above that I am using two apps open side by side with another one floating in what Apple calls Slide Over view. iOS 13 now adds the ability to manage multiple different apps in Slide Over at once. The implementation is great. It works like multitasking on an iPhone X or higher. You can swipe the little handle on the bottom of the app left and right to page through recent apps, and you can swipe it up and to the right to see all recently opened Slide Over apps. This makes it much easier for me to manage the few apps I am using often in this mode: apps like Tonal Energy Tuner, Messages, and Twitter.

I now also appreciate that you can have more than one instance of the same app open at the same time. Notice above that I am viewing two notes side by side. When I mentioned that iPadOS is growing into its own specific identity, the pencil tools on the right side of the screen are what I was thinking about. They have been brilliantly updated. And Apple is releasing them for use by third party developers in an API called PencilKit. Here’s to hoping that it is widely implemented so that using the Apple Pencil feels more consistent across apps.

See below also. Swiping from the lower left of the screen with the Apple Pencil allows your to quickly mark up whatever you are looking at. And if you are in Safari, you can now clip an entire website, not just what fits into the screenshot. You can highlight, annotate right from this screen and then send it somewhere like Apple Notes where you can search the article by text.

For me it is becoming clear that PencilKit is a feature that is going to widely shape and define the iPad as a particular tool for certain jobs that a Mac or an iPhone is not as useful for. Apple is bridging the gap a little by introducing a feature for the Mac called Sidecar, where you will be able to send windows of Mac apps to the iPad to be able to take advantage of the same pencil precision editing tools.

Conclusion

Overall, iPad OS is shaping up to be an awesome release. I didn’t even mention half the features here. And even some of the ones I am most excited about will not reach their fullest potential until third party apps take advantage of them (like PencilKit) or until more people are on iOS 13 (like iCloud shared folders). If you are an iPad user you have a lot to look forward to this fall. If you want to try the beta, you can go here. It is pretty risky though, and I am admittedly very unwise for doing it.