Three synched performances of Fake Plastic Trees by Radiohead:
This is really awesome and interesting. Fun to note how much darker and expansive their mix becomes in the 2003 recording. Other than that, the change in Thom Yorke's vocals is most noticeable. Younger Thom has more control, is brighter, and clearer but I don't necessarily prefer that. Most of all interesting is how little their arrangement of this song has changed over the years.
UPDATE: I address my favorite automations and advanced workflows in a recent episode of my podcast. Listen and subscribe below…
Interested in learning some apps this summer that will make your school year easier in the fall? Here are my favorite automation apps for iOS and a very brief explanation of each. Don't worry, I am planning on blogging about a few of these at length later this year.
Note: All of these apps take a little bit of an investment to learn but the payoff is HUGE. You will find yourself doing things on your iPhone and iPad you never thought were possible. If customizing your own automations seems daunting, every one of these apps has a user-submitted gallery where you can download actions that other people have already made.
Workflow is an automation tool that allows you to string together various different actions so that they can be initiated with a single tap. The list of actions you can choose from is dense and many of them are easy to understand without any coding experience. You could do something as simple as open the camera, take three pictures, and generate a .gif file all in one tap (see below). This idea is novel of course. The real power is in figuring out how to take tedious actions that require multiple taps and apps and string them all up into one tap using Workflow’s rich list of integrated apps. One of my favorite Workflows looks into my Dropbox folder for a PDF of a seating chart, generates a copy, and opens it in Notability on my iPad, where I can scribble information about my student’s progress with an Apple Pencil. (See this workflow depicted below).
Apple just purchased Workflow earlier this year. My hope is that this will allow users to better automate Apple’s own apps and even system level actions down the road.
Drafts is a clean and minimalist text editor that allows you to send text to other apps. Think of it as the starting point for all text on you iPhone or iPad. It functions like a simple, text based, note taking app, until you swipe left and reveal a series of actions you can perform on the text. You can perform actions as simple as posting your text as a Facebook status, Tweet, text message, or email. You can also create actions so complex that they can include JavaScript. One of my more basic Drafts actions takes a list of items I have typed in a rush and imports them all into my Grocery list, which is a list I keep in the Apple Reminders app.
IFTTT (If This Then That) is a web service that allows you to create If-Then statements that trigger actions to happen in apps. First, the user logs into all of their connected services (Facebook, Twitter, Wordpress, Philips Hue Lights, Gmail, etc…). Then the user creates “Applets” where something that is done in one service can trigger something to happen in another service. For example, I could say “IF I am tagged in a Facebook post, THEN save that photo to my Dropbox. Or “IF I favorite that YouTube video, THEN save it to my Evernote notebook and tag it videos.” Of course, you can get really crazy with home automation apps and do things like “IF someone mentions me on Twitter, THEN flicker my Philips Hue light bulbs red.”
Editorial is a text editor meant primarily for longer form writing. If you have a blog and an iPad, this app really shines. The app supports plain text, Markdown, and TaskPaper. Markdown is a syntax that allows users to create formatting like headings, bullet lists, tables, and expressions for the web without actually using HTML. For example, when I wrote this blog post, I did not click around in the toolbar to make each of the sections of this post into headings. Instead I just typed '##' in front of each of them, and my blogging service of choice, Squarespace (which interprets Markdown), automatically did the formatting for me. See below for an example.
TaskPaper is an amazing app for Mac that allows you to create checkable todo lists using only plain text. The syntax that the app uses also goes by the same name - TaskPaper. It is a really friendly way to work with checklists without taking your finger off the keyboard to format things. See the example below to get an idea what TaskPaper does. TaskPaper doesn’t have an iOS app, so the fact that Editorial works with TaskPaper files is great!
Much like Drafts, Editorial also has powerful user customizable workflows that you can perform on your text. You could have it post to your Wordpress blog in one tap, for example. My favorite Editorial Workflow takes a list I wrote in the TaskPaper format and uses it as a template for reoccurring projects in my task app of choice, OmniFocus. Certain projects that I perform over and over again contain similar tasks. For example, I always do the same fifteen to twenty things every time I put on a band concert at my school. I keep a checklists of these tasks stored in Editorial so that every time I have a concert, take a sub day, or go on a field trip, I tap one button in Editorial and it imports the list into OmniFocus, complete with due dates, flags, and tags.
Launch Center Pro is kind of like a springboard (the screen of apps you see when you unlock your iPhone) only it launches actions instead of apps. Actions can do almost anything. In fact, all of the apps in this post can be launched from within Launch Center. For example, I can publish my Workflows as buttons in Launch Center. I can create buttons in Launch Center that trigger IFTTT Applets. Launch Center actions can also launch apps, turn lights on and off in my house, take me into specific lists within my todo app, and more!
Launch Center Pro took me a little more time to get my head around because it assumes that the user knows a little bit about something called x-callback-url. This is a protocol that most of the apps in this post take advantage of but don’t quite expose to the user. With Launch Center Pro, I felt like I really had to learn this system before digging in. Fortunately, MacStories has a great tutorial that you can read here.
Launcher is a much simpler and friendlier version of Launch Center Pro. Setting up actions is very straightforward and a number of them are available as pre-built templates. Launcher lives entirely inside of a Today Widget, which is a special widget that you can invoke on iOS by dragging down from the top of the screen or by swiping to the right of your first screen of apps. Launch Center Pro also has a widget available that does much the same thing, but you might find that you prefer Launcher if the learning curve for LCP is steep.
Check out the latest episode of my podcast here.
Will Kuhn and I discuss our strategies for managing audio across all of our devices. We also speculate the future of pro audio and video editing apps for mobile. This was a really fun one to record and the articles in the show notes are especially interesting this week. Enjoy!
5 Podcasters Share How to Overcome their Biggest Audio Challenges:
The top audio challenge is to balance the music and the voice of our anonymous host to help the listener immerse in the story. I address it with a selection of iZotope tools. RX 6 is my go-to solution, and I also use Neutron, Alloy 2, and Ozone 7 to create the best sounding experience I can. The podcast is still being recorded in a spare bedroom somewhere in Australia, and there are a lot of challenges that come with that such as background noise, barking dogs, and neighbors. It's safe to say that without iZotope I would be lost!
Having invested in some of the Waves and Native Instruments audio plugins, I have never invested in iZotope. I only hear good things though.
8 Ways to Spend a Lesson when your Student has not Practiced - Carlos Gardels, pianist:
Unless one has the luxury of teaching only the most devoted and driven of music students (or children of the most devoted and driven of parents), a reality that must be faced by teachers is that at the majority of lessons, week after week, month after month - the amount of practice we hold ideal for our students is simply not met. When I started out teaching, during such lessons I would plunder with as much enthusiasm as I could muster as the student plodded through their piece, asking "What note is that?" for what felt like the 33rd billionth time that week. (My apologies to my students at the time!!) As the years went on, however, I came to realize that - in a certain light - a student coming to a lesson with virtually nothing to show was an opportunity that could be capitalized on. Since we have a certain number of minutes to fill, we might well fill them to the extent our imaginations will allow.
The following are a list of activities that have proven fruitful and interesting in most circumstances, and I hope that they will be able to aid you in dispelling the inevitably occasional boredom that accompanies our profession, and enrich the minds of any students who could benefit from them. I'll state that not all of the things on this list are mine - some have been adapted from ideas by wonderful colleagues I've had the pleasure to know from around the world (both in person and in cyberspace), and I've attempted to give due credit where merited.
Some great tips in this list. Be sure to click the link. As is usual with articles like this, some of these are just good teaching practices in general. I actually include a little bit of “practicing how to practice” in every single lesson I teach, even if in small bite sized pieces and for short periods of time. I would add to the list that there are a lot of things you can do with equipment management and maintenance. And in the world of percussion (my area) there are infinite little niche instruments and styles to dig into that don’t always get weekly attention. Tuning a drum head, learning hand drum basics, auxiliary instrument technique, etc. all fall into my regular rotation of things to do when a student didn’t come prepared. It goes without saying that some of these essentials get taught no matter what, I just change their place in the sequence when a student is obviously not ready to progress on the weekly assignment.
Of course, these strategies, or any I have devised on my own, always come paired with the inevitable parent conversation afterwards, paraphrased rather cynically below:
“I love working with your child and I love making money, but it isn’t valuable for you are your child to practice in my basement while I check my email.”
I switch up my task manager every now and then to stay on top of what is out there, but for the vast majority of the past four or five years, OmniFocus has been my todo app of choice.
Free downloads: OmniPlan and OmniFocus for iOS are free to try - The Omni Group:
The first, OmniPlan 3.6, features a better dark theme and optimized inspectors, designed to reduce the number of taps required to manage your project. We’re also transitioning OmniPlan—and OmniFocus—to free downloads. Both updates contain a free 14-day trial; the Standard and Pro features are unlocked (and discounted for existing customers) via In-App purchases.
In the second most recent episode of my podcast, Paul Shimmons and I discuss apps for working with PDFs. One of the apps I mentioned, PDF Converter by Readdle, is an excellent solution for for turning content in apps into PDFs. PDF Converter turns a variety of data (websites, articles, documents, photos, etc.) into elegant PDFs and is available as an extension on iOS so it can be accessed from within any app. See the video below.
The result doesn’t look incredibly elegant in this case because PDF Expert struggled with the ads on the website. In most cases, it does a decent job and even with stuff like this web article, I now have a text searchable copy of that article on my computer’s hard drive.
Just click the link above. I am breaking my belief of absolutely detesting Facebook video and their agitation of the open web. I hate that this video is not available on YouTube and must be viewed on Facebook, and I hate that I cannot even embed it in this post, but I wouldn’t share it if it wasn’t so good. Just check it out! I did not take a breath until about half way through the video.
Chris Russell is back on my podcast this week to talk all about working with music scores on the iPad. Listen here!
This article is fascinating. It also comes at an interesting time for me since I recently, and for the first time ever, purchased a six string electric guitar.
A few quotes...
The Washington Post - Why my guitar gently weeps:
In the past decade, electric guitar sales have plummeted, from about 1.5 million sold annually to just over 1 million. The two biggest companies, Gibson and Fender, are in debt, and a third, PRS Guitars, had to cut staff and expand production of cheaper guitars. In April, Moody’s downgraded Guitar Center, the largest chain retailer, as it faces $1.6 billion in debt. And at Sweetwater.com, the online retailer, a brand-new, interest-free Fender can be had for as little as $8 a month.
What worries Gruhn is not simply that profits are down. That happens in business. He’s concerned by the “why” behind the sales decline. When he opened his store 46 years ago, everyone wanted to be a guitar god, inspired by the men who roamed the concert stage, including Clapton, Jeff Beck, Jimi Hendrix, Carlos Santana and Jimmy Page. Now those boomers are retiring, downsizing and adjusting to fixed incomes. They’re looking to shed, not add to, their collections, and the younger generation isn’t stepping in to replace them.
Gruhn knows why.
“What we need is guitar heroes,” he says.
...
But there were already hints of the change to come, of the evolutions in music technology that would eventually compete with the guitar. In 1979, Tascam’s Portastudio 144 arrived on the market, allowing anybody with a microphone and a patch cord to record with multiple tracks. (Bruce Springsteen used a Portastudio for 1982’s “Nebraska.”) In 1981, Oberheim introduced the DMX drum machine, revolutionizing hip-hop.
So instead of Hendrix or Santana, Linkin Park’s Brad Delson drew his inspiration from Run-DMC’s “Raising Hell,” the crossover smash released in 1986. Delson, whose band recently landed atop the charts with an album notably light on guitar, doesn’t look at the leap from ax men to DJs as a bad thing.
“Music is music,” he says. “These guys are all musical heroes, whatever cool instrument they play. And today, they’re gravitating toward programming beats on an Ableton. I don’t think that’s any less creative as playing bass. I’m open to the evolution as it unfolds. Musical genius is musical genius. It just takes different forms.”
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