MusicFirst (Sponsor)

I am thrilled that Music Ed Tech Talk is sponsored by MusicFirst this month. What is MusicFirst? In their own words:

MusicFirst offers music educators and their students easy-to-use, affordable, cloud-based software that enables music learning, creation, assessment, sharing, and exploration on any device, anywhere, at any time.

MusicFirst Classroom is the only learning management system designed specifically for K-12 music education. It combines the flexibility of an LMS with engaging content and powerful software integrations to help manage your students’ progress, make lesson plans, and create assignments.

And for younger students, MusicFirst Junior is the perfect online system for teaching elementary general music. It includes a comprehensive K-5 curriculum, hundreds of lessons & songs, and kid-friendly graphics to making learning and creating music fun!

Whether you’re teaching remotely, in-person, or in a blended learning environment, MusicFirst will work with you to find a solution that fits your program’s unique needs. Try it free for 30 days at musicfirst.com.

This past school year, I piloted our district's General Music II class. It marks the first time in our school system where a middle school level music class has built off of a prior year of skill development. Along with this development, our school's Mac lab began to get phased out and replaced with Chromebooks.

I decided to invest in MusicFirst, a holistic, all-in-one, solution for teaching music with computers.

A small grant covered the cost of some low-end MIDI controllers, and my 8th graders were off! MusicFirst, and the integrated third party apps, blew open the doors. Suddenly we could compose notation with the clarity and creativity that Noteflight offers. Soundtrap, one of the digital audio workstations that you can bundle with a MusicFirst subscription, stores its content in the cloud, meaning students were never limited to the instruments or loops that happened to be installed on the Mac they sat down at that day.

To top it off, we were able to apply our piano skill from earlier in the semester to record our original parts into the computers. The fact that this software runs on the web means students can work on projects at home. It's fantastic!

In March, when schools shifted to an online model, MusicFirst suddenly increased in value. I honestly don't know how I would have taught my music class without it. Soundtrap kept students engaged in creating music once every week and collaborating on projects.

MusicFirst's content library is massive. You can download an entire course-worth of units and lesson plans from dozens of pre-built classes.

In my early curiosity, I downloaded MusicFirst's "Middle School Music Technology" class to my account and invited all of my students to it. I was able to easily drag and drop lessons and units from this course into dates on a calendar and have them appear as tasks to students. These lesson plans include clear instructions, engaging media, and assignments that link directly out to whatever software is required to get the task done.

For example, we spent some time learning the blues last spring. There is a unit in the pre-made music tech course that teaches students some blues basics. It starts with a lesson plan that has a pre-made playlist featuring artists like B. B. King. After listening to some recorded examples, it links students to a discussion task, where they can comment about the stylistic features of the music. Next, students move on to a lesson that explains the blues scale and links directly to a Soundtrap project, where the are tasked to record an improvisation using the notes of the blues scale. Saving their work in Soundtrap automatically saves it to the assignment in MusicFirst, where I can review and grade them all in the same place.

The pre-made content is a life saver if are teaching out of your content area and are feeling overwhelmed. Even if you are not, the content will speed things up for you. (Aggregating Spotify playlists, images, and instructions into a meaningfully structured lesson takes time, even if the ideas are already in your head!).

The course content is also fully customizable. In the blues example above, I wanted the improvisation assignment in Soundtrap to have a 12 bar bass line and shuffle beat pre-recorded, so that students felt like they were playing along to something. I was able to accomplish this, and saved a lot of time due to the instructions and embedded media having already been curated.

Give MusicFirst a try. It is such a comprehensive offering, that I am sure it can enhance your teaching! Click herefor more details.

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forScore is coming to the Mac

In the hustle of our school semester starting, I forgot to post about possibly the most exciting app news I have heard this summer.

After writing about it and talking about it on the podcast for well over a year, I am pleased to say that forScore has announced they are making a native Mac app. It will be coming this fall, alongside their version 12 update. Read all about version 12 here...

forScore | forScore 12:

forScore comes to the Mac in a big way with a brand new, fully native experience built for some of the most advanced and powerful devices out there. forScore runs on macOS Big Sur, both on Intel and Apple Silicon-powered Macs, and it’s included with forScore for iOS and iPadOS as a universal purchase. That’s right—it’s absolutely free for everyone who has ever bought forScore.

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From the looks of it, forScore is using Apple's Catalyst technology, which allows iPad apps to be ported to the Mac.

While I have not seen the Mac version of forScore, I have been testing the iOS version of forScore 12. It's great! My favorite small (but significant) feature is that you can now annotate while viewing two pages at a time without the app jolting into annotation mode. You just write directly on the screen with the Apple Pencil and your markings appear immediately.

I store my score backups on my hard drive's file system, which is how I access them on the Mac. But I store my most frequently read scores in forScore on the iPad. I am glad the experience of interacting with my sheet music will now be consistent across both devices.

Something I have felt would need to happen for this to be useful is iCloud syncing. forScore says that is coming too...

Bringing forScore to the Mac is just the beginning—a whole new platform means a whole new set of opportunities. From subtle refinements to major new features already in development like iCloud Syncing, we’re building the future one step at a time.

We’re just getting started. Again.

Using a Mac version of the app with the need to maintain two separate score libraries would have been a nonstarter for me. As an added side benefit, I can see this getting me to use forScore on the iPhone. Its not the best screen size for sheet music, but every now and then, I'd like to be able to take it out of my pocket and reference a score real quick. The problem is that it is never real quick because none of my scores are there!

I could not be more excited about this announcement!

🔗 Handwriting Note App, GoodNotes, Gets Collaboration Features

From David Sparks...

GoodNotes Releases Collaboration Update — MacSparky:

With GoodNotes, it’s easy to mix drawing and writing. It’s also easy to write in a magnified view while the words simultaneously appear in a normal size on the page behind it.

And with yesterday’s version 5.5 update, GoodNotes is now also able to collaborate.

I use Apple Notes for most mixed media note taking (text, checklists, images, web links) and DEVONthink for my archiving needs (long term file, email, web archiving). But most notes I write by hand go in GoodNotes. It is nice to see any app add collaboration as a feature. I am not sure if I would use this in GoodNotes but it will be fun to try.

The other thing I use GoodNotes for every day (when school is meeting in person) is for annotating my custom-made seating charts to keep track of student data. You can read about that on this article I wrote for SBO Magazine. What makes GoodNotes so convenient for annotating PDFs like this is that it treats them as a paper style instead of fillable PDF, so you don't need to go into any kind of annotation 'mode' to begin marking it up with the Apple Pencil.

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🔗 New Version of Final Cut Pro X Has a 90 Day Free Trial (Which You Can Renew Even if You Already Took Advantage of the FCPX 90 Day Free Trial!)

New version of Final Cut Pro X out!

From Apple Newsroom:

Final Cut Pro X updated with significant workflow improvements:

Today Apple is updating Final Cut Pro X with powerful new features designed to enhance remote workflows and speed up editing for content creators. Improvements in creating and managing proxy media provide editors with portability and performance when working with large resolution formats, or when collaborating remotely. New social media tools automate video cropping in square, vertical, and other custom sizes for popular social media platforms, and new workflow improvements enhance the versatility and performance of Final Cut Pro — making the Mac stronger than ever for all video editors and motion graphics artists.

Teachers rejoice! If you are looking to make online lesson content or virtual band/orchestra/choir/whatever videos this school year, look no further than Final Cut Pro X.

If you were already taking advantage of their 90 day free trial, guess what? They just released a new version, and you can renew your trial with the update!

And if you decide to buy, don't forget to purchase it with Apple's Pro Apps Bundle for Education.

🔗 Book: Teaching Effectively with Zoom | by Dan Levy

Dan Levy has a book out called Teaching Effectively with Zoom.

Zoom is not my dominant teaching platform of choice, but this book looks really interesting, and likely has application for all video teaching. Click the link below for more information.

Home | Teaching Effectively with Zoom:

In this website, you will be able to: Find resources related to the book. Read short stories about how educators are using Zoom in interesting or innovative ways Submit your own stories to share with others about how you have been using Zoom to engage your students and help them learn

Automating Band Warmups, Teaching Auditory Skill, and Managing My Classroom… with Solfege Bingo

Intuition, I realized, was the certainty with which a skill instantly worked on the basis of rational experience. Without training, intuition does not develop. People only think that intuition is inborn. If intuition unexpectedly reveals itself, however, it is because unconscious training has been amassed somewhere along the way.
— Shinichi Suzuki , Nutured by Love

What is Solfege Bingo

Solfege Bingo is a game for young music students. You can play in class to help develop audiation, pitch recognition, and solfege.

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The book comes with a series of bingo cards, each of which with three-note Solfege patterns in each square. “Do re mi, fa sol do, etc...” With the book comes a CD that has many different recorded examples of a singer singing these patterns, with space in between each pattern. Students match the three-note patterns they hear with the ones on their card until they get bingo.

The CD features a second set of recorded examples in which a clarinet plays the patterns so that the students must recognize the patterns by ear, not by syllable.

I first learned about this series as a student teacher, where the choir teacher would use them as warm-ups. She would use them as ear training examples to familiarize her ensembles with solfege. On the recorded examples, the space between each pattern is equal to the length of the patterns themselves, so you can use them as a call and response. The recording models the pattern, the choir sings it back.

Transposing the Tracks for Bands and Adding a Drone

A few years ago, I got the idea to transpose these recordings into band keys using GarageBand. I added a clarinet drone on the key center (using one of the software MIDI instruments) to help students hear the relationships of the pitches not only to each other but also to the tonic. 

In band, I start the year by implementing these play-along tracks during warm-ups, starting in concert Bb. I first use the vocalist track and have students sing back. Then they play it back, with brass buzzing on mouthpieces. Then with brass on instruments. (The repetition of this has the side effect of reinforcing fingerings.) Eventually, once I feel like they have begun to internalize the pitches, I play them the clarinet version of the recording. The clarinet drone rings through my entire track, which takes the place of my usual Tonal Energy Tuner drone.

It sounds like this when it’s done…

In GarageBand, I dragged in the audio file I wanted to edit, creating an audio track. Then, I created a second software instrument track, selected clarinet as the instrument, and held out the note Bb on my MIDI keyboard for the drone. Double-clickin…

In GarageBand, I dragged in the audio file I wanted to edit, creating an audio track. Then, I created a second software instrument track, selected clarinet as the instrument, and held out the note Bb on my MIDI keyboard for the drone. Double-clicking an audio region reveals a transpose option on the left. Dragging the slider moves the pitch up of the selected region up or down by a semitone.

Classroom Management (Making Two of Me)

I recall a year where I was struggling with engaging one of my band classes during the warm-ups. I needed a way to create some structure and reinforce expectations for the first 10 minutes of class, while making sure that the winds got the tone and ear development I wanted them to have. It is always easy to assume that students are against you when they are talking amongst themselves, wandering the back of the room, and slouching in their seats. I have come to find that, more often than not, my students aren’t against me, they just flat out didn’t understand my expectations for participation, posture, and technique and that they needed my support (even when it seems my expectations should be obvious). 

My solution was to duplicate myself. I needed there to be one of me on the podium guiding the rehearsal sequence, and another of me walking the room to adjust students’ expectations of themselves.

I added the Solfege Bingo play-along tracks to slides in my daily agenda presentation, which is always on display at the front of the room through a projector. I make all of my slides in Apple’s Keynote. I found that I could embed an mp3 of one of my tracks into a slide and set the presentation to automatically skip to the next slide after a certain length of time had passed. So I created a sequence of these Solfege Bingo tracks, and a couple of other typical warm-ups I do, and embedded them all in Keynote slides so that the warm-up would happen automatically. 

In the upper right corner, click the Transitions button to reveal transitions. From the Start Transition dropdown menu, you can choose to have a slide start automatically after a certain amount of time, using the Delay timer. You might have to tweak…

In the upper right corner, click the Transitions button to reveal transitions. From the Start Transition dropdown menu, you can choose to have a slide start automatically after a certain amount of time, using the Delay timer. You might have to tweak this a little bit to get it right, but the result is that these couple of Keynote slides play in a row, automatically, while I walk around the band room and give feedback to students.

This allows me to work the room. While warm-ups were taking place, I can walk in the percussion section and remind them what instrument they play for warm-ups that day (it's on the chart in the back of the room 🤷‍♂️). I can give postural feedback to my trombones. I can high five the tuba player. I can fit someone for a concert shirt. I can do nearly anything. And this is all while reinforcing audiation, tone development, and proper intonation.

I recommend the Solfege Bingo book. It’s effortless to modulate tracks with software. You can use the pitch-flex feature in GarageBand, as I mentioned above. But you can also use apps like Transcribe!, The Amazing Slow Downer, or Anytune

Adding a clarinet drone is easy. I added a software instrument track in GarageBand, set it to a clarinet, and played the tonic along to the recording. But you could also use Tonal Energy as a GarageBand instrument.

Conclusion

Given the time I am posting this, it is worth mentioning that I totally intend to use these warmup play-along tracks in my online band classes this fall, which will be taking place in Google Meet. I am using the Loopback app to route the audio of Keynote through to the call, and a soundboard app called Farrago to trigger them. I can run the tracks through Google Meet and everyone plays along while on mute. I am hoping to blog about Farrago soon.

I am also planning to blog about another version of this workflow I have tried in especially needy classrooms, where I go as far as to record myself giving instructions to the band in between transitions, and even program the tracks to rehearse concert music for me while the real ‘me’ works the room. I have run up to 40 minutes of a band rehearsal through pre-recorded instructions and play along tracks before!

Get a copy of Solfege Bingo here.

Watching YouTube Videos on Your iPhone or iPad in the Background While Doing Other Things

Most iPad video apps feature Picture in Picture mode (PiP), a feature that allows you to minimize the video in a corner of the screen while continuing to do work in other apps while watching or listening.

YouTube has been a holdout on this feature, even for YouTube Premium subscribers who get the background audio features (minus the background video). You can get PiP to work if you delete YouTube and watch on Safari instead (which is what I do).

Or, if you have the Scriptable app, you can also run this Siri Shortcut which will force a video you are watching in the YouTube app to open in Safari via PiP.

Or you could wait. It looks like YouTube might finally be testing their official support of PiP. Read MacRumors for more (and to learn how to force PiP by watching YouTube in Safari)...

YouTube Tests Native Picture-in-Picture Mode for iOS App - MacRumors:

YouTube appears to be testing Picture in Picture (PiP) mode for its iOS app, reports 9to5Mac. The feature allows users to watch YouTube videos while using other apps, and was discovered by developer Daniel Yount, who stumbled across it while viewing a YouTube live stream on his iPad.

Edit: This is only possible on iPhone if you are on iOS 14, which launches publicly this fall.

We watching some Paak while managing my tasks on iPhone.

We watching some Paak while managing my tasks on iPhone.

🔗 Google Meet now works with Chromecast on your TV

Google Meet now works with Chromecast on your TV. - 9to5Google:

Meet on Chromecast works exclusively through the Chrome browser on your desktop or laptop computer. That’s because, when this is running, Google still uses the camera, microphone, and audio from your machine to power the experience. The meeting itself is just cast off to your TV or other display so you can view it on a larger display. Google is continuing to be quite aggressive with updates to Google Meet.

While I am happy with my tech setup in my studio, I know there will be times when I need a change of scenery. I fully plan to teach some lessons from my sunroom and living room. My living room TV has a Chromecast built in and I can totally see myself projecting the class on to the big screen while providing feedback from my laptop on the couch and using the laptop screen as extra real estate for other apps.

🎙 METT Episode #15 - Double the Burns, Double the Fun!... with Amy Burns

Elementary music educator, Amy Burns, joins the show! We talk about Seesaw, using tech in the elementary general music classroom, and her new book: Using Technology with Elementary Music Approaches!!!

Show Notes:

Stuff Amy is doing:

App of the Week:
Robby - SoundSource by Rogue Amoeba
Amy - Tripple Feature! - Timestamp Camera | MixCam app | Focos

Album of the Week:
Robby - Clear Line | Jacob Garchik
Amy - In the Heights | Lin-Manuel Miranda

Where to Find Us:
Robby - Twitter | Blog | Book
Amy - Twitter | Website

Please don't forget to rate the show and share it with others!

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🔗 Chris Russell on sheet music scanning apps

Last week Chris Russell reviewed a new score scanning app, ScanScore. I kind of like that he turned this review into a comparison of the different options available, with example photos. Here is a link to the post with a quote:

ScanScore – Technology in Music Education

So, how did it work? Again, I’m not in the scanning mode right now, so I’m creating an artificial comparison (something that really isn’t crucial to me on a need-to-get-it-done-as-quickly-as-possible basis). I decided to take a a version of Beethoven’s Moonlight Sonata from IMSLP, and to see how the programs did with it.

While one example is not enough to effectively compare this kind of software, it's still interesting to see where they stack up in the example he provided. I personally find that these scanner apps require more touch up than is worth the effort. In many cases it is still easier to manually recreate the score in a notation app. 

Of the apps Chris mentions in the post, Sheet Music Scanner is my favorite, even though it doesn't do triplets yet.